Ending Drama Tomorrow With You

Hai teman-teman pecinta kdrama! kali ini saya akan me-review drama yang terbilang sudah cukup lama tayang nih yap! dari judulnya aja udah keliatan ya hehe, Tomorrow with You.Sebenernya drama ini sudah tayang cukup lama nih yaitu pada tahun 2017, tapi karena saya baru nontonnya sekarang jadi baru bisa review sekarang dehini adalah pertama kalinya saya me-review kdrama guys jadi mohon

So I just finished watching the series, and it was written beautifully. However, one thing that got me confused was that Original timeline was that both leads died on the same day and were not married Another timeline after Sojoon decides not to marry Marin, but they still die together and his future self tells past self why not try and work it out with her to avoid the death Ending was that they both did not die because ahjussi blocked the accident for them So the things I want to clarify are In the original timeline whereby both leads died not married to each other, does ahjussi die too? I forgot if he does, but I remember him trying to drag his past self away & he also said he couldn't travel any further..? If everything in the drama sort of does a casual loop in the end, as we see, it isn't actually explained how they handle the comatose Sojoon who came from 2017, stabbed by Director Kim? They only showed that in 2022 they were living together happily, but what about that comatose 2022? That timeline was still supposed to happen since he went back at that time and from there, Marin is then alive in 2022. Is this a plot hole or something? How are they supposed to nurse that past Sojoon for him to go back? EDIT Also, is it explicitly said that Ahjussi had time travelling skills TOO after the Namyeong accident, or did he always have it, and left Marin and wife to save Marin’s future? I remember the scene in the finale where the mom asked him why did he leave and he sort of said he was nosy/curious about things, so did it mean that he already had the power then? I saw people saying that because he had the power from the start and so he tried many times to save his daughter, and made it so that Sojoon boarded the train with her but then if we saw the flashback, it was all a coincidence? He was also just calmly selling toothbrushes on the subway, so it seemed like he didn’t have the ability then, or else he wouldn’t be selling the toothbrushes on the subway right? I really wonder why only both of them possess the ability though, and not Marin as well? I initially thought Sojoon got his ability because he ran into the incident site and kind of fainted there or something, but we had not enough background info about how Ahjussi got his abilities... TomorrowWith You - KDrama Happy Ending Addict Tomorrow With You Yoo So Joon ( Lee Je-Hoon) is the successful CEO of a real estate company who has the ability to time travel when he takes the subway. Going back and forth in time, he sees his future self living a life of torment and unhappiness. 53 March 25, 2017March 25, 2017 Tomorrow With You Episode 15 by gummimochi Brace yourselves, everyone, because this is one gripping hour that will pull you from one emotional extreme to another. Knowledge can be a cruel master—even though we know what’s coming, that doesn’t mean it’s any easier to see how those same moments in time came to be. If there’s any hope to be had, however, it’s the idea that heroism can be found in anyone, whether that person is a time traveler or not. EPISODE 15 RECAP So-joon calls to check that Ma-rin arrived home safely, but he stops short when he hears Director Kim’s voice on the other end. We see Ma-rin unconscious and bound in the backseat of Director Kim’s car, and the man warns So-joon not to call the police. Doo-shik runs up to So-joon and tells him that he knows exactly where Director Kim is headed. So-joon doesn’t wish to endanger Ma-rin’s life further and instructs Doo-shik to rescue her without her kidnapper knowing. But doing so would require So-joon to face Director Kim alone, an idea Doo-shik is staunchly against. So-joon declares that they first need to hand over the memory card to the police, and vows not to repeat his future self’s mistakes and will put Director Kim behind bars today. Doo-shik pulls him back saying that will only put So-joon in danger, but So-joon counters that putting off today’s dangers still keep them in peril tomorrow, so they need to take advantage of this opportunity. He entrusts Doo-shik to save Ma-rin because “you’re her father.” So-joon swings by the office to hand off the memory card to Ki-doong, who has trouble wrapping his head around the idea that this could incriminate Director Kim for Se-young’s father’s death. The plan is for So-joon to grab hold of Director Kim first, then for the police to arrest the man. Director Kim drives into the woods to take another car, leaving Ma-rin alone in the backseat. While Ki-doong listens to the conversation in Director Kim’s car on the day of Se-young’s father’s death with the police, Director Kim calls So-joon, who has already anticipated his call and his plans to meet at Namyeong Station. It’s at this moment Director Kim reveals that he planted a bug in So-joon’s house and knows that So-joon is a time traveler. He’s angered by the idea that So-joon became successful from knowing the future whereas other normal folk like himself had to work to the bone to get to where they are. So-joon isn’t deterred, gravely telling Director Kim that he can shed light on exactly what will happen to him Director Kim will get rid of him and succeed in running away… however, he won’t let that happen today. Director Kim is encouraged by the tip-off and demands that So-joon bring him the memory card. He reminds him that Ma-rin’s life is on the line—even if he were to be captured by the police, he won’t confess, and Ma-rin will freeze to death. Doo-shik arrives at the patch of woods just as Ma-rin comes to. He breaks a car window to unlock the back door and carries her on his back. She weakly asks who he is, and he cries, “It’s Dad.” So-joon is told that she’s safe while he gets on the next train at Namyeong Station per Director Kim’s instructions. Ki-doong and the detectives also get on, hoping to grab Director Kim in that ninety-second window between the train’s departure and So-joon’s disappearance. Ki-doong confidently marches forward… only for the cops to tell him to stay behind. Hehe. So-joon has to head in the other direction when Director Kim instructs him to meet him in the middle of the train. But then he remembers that his past selves traveled to this day, so he turns his head… and sees his past self gasp in shock. So-joon thinks to himself No, you’ll only complicate things by being here. He keeps running while his past self runs in the other direction, zooming past the pair of detectives. Seconds later, another one of So-joon’s time traveling selves runs past, and the detectives give chase. Oh no! This means So-joon is all alone when he approaches Director Kim, whom he greets with a right hook. Director Kim charges at him, and the frightened passengers move out of the way. So-joon kicks the man down, hollering that Director Kim has already failed at life so he’ll never be able to beat him. So-joon tells Director Kim to live with nothing, be it friends, family, money, or honor. He catches Director Kim’s oncoming attack and slams his face against the door and lands a punch before being pinned onto the floor. He tries to grab Director Kim by the throat, but the latter has a stronger hold on him, suffocating him. So-joon hits Director Kim’s head with a nearby tablet and sends the man flying with another punch. As soon as he has Director Kim pinned to the floor, the man retaliates by stabbing So-joon in the gut. So-joon clutches his bleeding stomach as the lights flicker off. He passes out and disappears. Ki-doong and the detectives burst through the crowd moments later to find Director Kim still crying. He’s immediately apprehended. Looking at the bloodstained floor, Ki-doong crumbles because So-joon is gone. At the hospital, Ma-rin comes to just as Doo-shik is about to leave. She weakly asks, “How did you know I was trapped there… Dad?” He suggests that they talk when she’s doing better, and shakes his head when she wonders if this is a dream, adding that she’s never seen his face so clearly in a dream. “It’s not a dream,” Doo-shik breathes, holding back tears. “I’m sorry.” The younger detective from the train walks in hoping to speak with Ma-rin. He’s ushered outside by Doo-shik, who introduces himself as Ma-rin’s father and asks what happened to his son-in-law. Much to his surprise, Doo-shik accurately guesses that So-joon disappeared on the train and asks the detective to come by tomorrow. Meanwhile, Ma-rin is unable to get a hold of So-joon and texts that Director Kim has been arrested and that she’s at the hospital with her father. Doo-shik reenters the room awkwardly, and Ma-rin explains that she was texting her husband, whom she can’t get in touch with. He lies that So-joon is at the police station for questioning, and smiles to hear that she and So-joon had a happy marriage. She again asks how Doo-shik found her, but he says they can take their time to chat now that they’ve found one another. Over at the precinct, Director Kim admits to murdering President Choi and Se-young’s father, but argues that the police have no proof that he injured or killed So-joon. Uh, you didn’t notice everyone recording everything on their phones? He’s cut off mid-sentence by Ki-doong, who kicks him down and has to be dragged away. Doo-shik arrives at the hospital the next day to find Ma-rin’s bed empty. She leaves behind a note explaining that she went home and asks Doo-shik to call her so they can talk. Ma-rin returns to an empty house and is confused when the police call to follow up on So-joon’s missing persons report. She can barely keep it together while she gets dressed, then calls Ki-doong and asks in a trembling voice if the police are wrong about So-joon’s disappearance. She goes in for questioning, telling the older detective that her time traveler husband will reappear again. She doesn’t see this as any different than his previous trips, adding that So-joon even disappeared before her very eyes once, but he came back. Ma-rin says her husband is currently at a different time, and is convinced that he’s receiving medical treatment in the future they can’t imagine at present. Her conviction leaves the detective dumbfounded, and he asks Ki-doong and Se-young if Ma-rin often spins strange tales about her supposed time traveling husband. Se-young’s eyes widen at that, and even more baffled when Ki-doong reminds the detective that they saw two more So-joons on that train. Shown the remaining futuristic items left at Ki-doong’s place, she now understands what big secret So-joon and Ki-doong kept from her. Ki-doong apologizes for keeping her in the dark for years, and she looks back at him, saying that she heard that he beat Director Kim within an inch of his life. Choking up, Ki-doong says he didn’t, but he definitely wanted to, even if doing so would’ve put him behind bars. He apologizes again as she hugs him, but she says she never would’ve been able to deal with her father’s death if Ki-doong wasn’t there for her. She hopes So-joon is all right and Ma-rin isn’t too worried, and Ki-doong hopes Ma-rin isn’t running around looking for their missing friend. But that’s exactly what Ma-rin is doing, walking up and down the train, looking for So-joon. She waits near the platform at Namyeong Station, tears threatening to overwhelm her. Ki-doong later sits down with So-joon’s lawyer and learns that So-joon had made preparations in advance for the company. He tearfully realizes that his friend knew the dangers but got on that train anyway like a fool. Remembering that So-joon once asked to meet him at his house tomorrow, December 3rd, he calls Ma-rin to let her know that she can meet So-joon from the past. He says they can let that So-joon know all about Director Kim and possibly change their present and future. The doorbell rings seconds later—it’s Doo-shik, here to tell Ma-rin that So-joon won’t return. He explains that he’s known So-joon for years and he too was on the same subway train that crashed in 2009. Doo-shik “It was there that I saw you.” Back on March 25, 2009, Doo-shik was selling toothbrushes on the train. So-joon’s father was kind enough to buy some, and Doo-shik saw So-joon and Ma-rin bicker in the next car. He got off at Namyeong Station when they did, his voice caught in his throat as he uttered her name over and over. And then they all saw the subway explode together. Ma-rin realizes that her father must be the other time traveler So-joon was speaking of and the man who brought them together. Doo-shik nods, and says while this may be hard to hear, So-joon won’t be able to return. She asks why her father can’t travel to the future to find him and see if he’s all right. Tears imminent, Doo-shik says he already tried looking, but So-joon is gone. He tells her that she needs to move on, and tears spill from Ma-rin’s eyes. She asks how her father expects to process all this information, especially when he showed up out of the blue for the first time in twenty years. He has no right to tell her what to do after claiming that he once saved her and brought down her entire world in minutes. “If you were able to see the coming days, you should’ve saved So-joon, not me,” Ma-rin cries. “If you knew everything, why did you leave So-joon be?!” Gun-sook jolts awake in the middle of the night in So-ri’s apartment, still frightened by the idea that her husband is a murderer. She worries that her husband might come after her too, and asks So-ri to run away with her. She’s startled at the sound of an incoming call, and So-ri encourages her to pick up. It’s Ma-rin, who instructs Gun-sook and So-ri to keep So-joon’s disappearance secret, even from her mother. It’s a brutal night for Ma-rin, who goes back and forth from crying alone on the couch to sitting there blankly in silence. She heads to Ki-doong’s place the next day, and Ki-doong is already determined to tell So-joon everything in hopes that will change things for the better. But Ma-rin is here to tell him that she won’t be here when Past So-joon arrives. She believes that letting So-joon know about Director Kim’s evildoings in advance will put further strain on that relationship and put So-joon in more danger. She instructs Ki-doong to lie and tell Past So-joon that his marriage soured and he left the country, and that it’s best that they break up. She shares how So-joon once told her that they were never fated to meet, and his original future to live his life without her changed when he went out of his way to meet her. Ki-doong tells her not to blame herself, saying they can use this opportunity to their advantage. But Ma-rin cries that So-joon knew of his own disappearance and still disappeared, and this is the only answer she can see putting things back in their rightful place as soon as possible. She asks Ki-doong to advise So-joon to end their marriage because she thinks this is how she can save him now. So when Past So-joon arrives at Ki-doong’s place that evening, Ki-doong does exactly as Ma-rin asks. Man, it sucks that you’re doing this. Ma-rin walks home, unaware that Past So-joon sees her and follows behind her. She runs from the drunk man who recognizes her, and Past So-joon watches her go back inside. She lays on the couch, telling herself that she should’ve just seen Past So-joon today. As Past So-joon waits outside, Ma-rin gets a text from Ki-doong, who writes that Past So-joon came and went. He’s also learned that So-joon must be alive because his time traveling self is only able to travel to a future time where he’s still alive. Clutching the phone to her chest, Ma-rin breathes a relieved sigh. One month later. Mom makes herself pretty to meet up with Doo-shik again. She smiles expectantly when he pushes a bag of gifts toward her, only to harrumph when she sees that it’s full of Duck Ramyun. LOL. Doo-shik approaches the next topic with caution, gently saying that it seems Mom has lied a great deal about him to their daughter… like how he was the one who chased after her when she was twenty years old. Pffft. Mom says that was true, to which Doo-shik reminds her, “Noona, I was seventeen back then. I couldn’t even graduate high school because of you!” Omo. Then Mom says he was the one who lied about his age. Omg, this is so great. She says it’s tiresome if Doo-shik plans on rekindling things between them by bugging Ma-rin, but he swears he’s here because he’s worried about their daughter. He gets upset when he hears that his wife hasn’t checked in on Ma-rin, who might be feeling lonely being apart from her husband. Ma-rin looks back at her photos with So-joon wearing matching pajamas with fondness. She gets a call from her mother and lies that she’s too busy to meet up. She opens and closes the front gate to add some legitimacy, and promises to call back later. She then checks the mailbox and sees a letter from So-joon addressed to her. It’s the same letter So-joon wrote back in October 2016, back when she didn’t know that he was a time traveler and they were happy. She smiles as she continues to read the rest of the letter we never got to hear “Even if I were to go back in time and had to choose again, I would… choose you. I hope you don’t forget the happy times we had. Your husband, So-joon.” Ma-rin heads up to So-joon’s office, belatedly realizing that So-joon could one day read an email she has scheduled to send for the future. She writes her response to his letter written by the seashore. She wonders if he’ll see this email one or two years into the future or perhaps even much later. As she thinks back to happier times with So-joon as they snap silly photos of themselves, she writes, “Even though I told your past self to break up with me, I’m waiting for you who has traveled to the future. Even if it takes one or two years, I’ll be waiting. I’ll wait, trusting in the time I love you, remembering our times together, dreaming that I’ll see you again, praying that wherever you are that you aren’t hurt. No matter if you’re ten, twenty, or thirty years into the future, I’ll be waiting here. I love you. Your wife in January 2017, Ma-rin.” February 2019. Se-young and her coworker swing by the gallery to congratulate Ma-rin on her upcoming photo exhibition. Ma-rin leaves her to look around, and we hear her voice narrate another scheduled email, one where she wishes that So-joon was here to see her photo exhibition. “Where are you right now?” she wonders. The answer a woman takes out a load of laundry to the patio… that looks like Ma-rin and So-joon’s house. Inside is So-joon, lying in a hospital bed, hooked up to machines. His finger twitches and he opens his eyes. COMMENTS So exactly when are we? And who is the woman we see? We know that So-joon is only able to travel to a time when he’s still alive, and I could’ve sworn I saw So-joon and Ma-rin’s wedding portrait still hanging in the living room, along with some toys outside. Does that mean Doo-shik’s story about Ma-rin and So-joon has a happily ever after and get to grow old together get to come true? Once So-joon’s disappearance came to the forefront, I did wonder how the story planned on tying in that plotline to the ultimate event So-joon had been dreading the traffic accident on March 25, 2019. Even if So-joon were to disappear in the present which he did, I knew that he would have to return somehow. But what I don’t yet understand is that if So-joon does open his eyes to a happier future, that could change his whole attitude coming into the traffic accident in 2019. There were so many cars involved in that accident it’s hard for So-joon to be absolutely sure that he was to actually die that night, and we’re operating under the logic and possibility that his future changed completely when he met Ma-rin. Thus if his original future meant dying on March 25, 2019 because he lived a life without Ma-rin and his alternate future by being married to Ma-rin means living past this date, we can actually say with some assurance that So-joon’s life has changed for the better, not just because he gets to live for longer, but because he has someone to spend those extra 20, 30, or even 50 years to live with. It’s possible that So-joon never tried to travel to a future date past March 2019 because he thought that that traffic accident would be the death of him. Even when he disappeared in 2019 and reappeared in 2016, he and Ma-rin weren’t yet together. So if actually staying with Ma-rin ensures a brighter future, he could at the moment of his disappearance, travel to a point in time beyond that date. Even though I love the idea that Doo-shik played matchmaker between So-joon and Ma-rin, his interferences have seemed to hurt rather than help. For a man who had been holed up in his small apartment for years trying to trace So-joon’s movements and actions, his main motive over the years was to put Director Kim behind bars. It pained me to hear the man who once told So-joon about his possible happily ever after telling Ma-rin that So-joon wouldn’t be able to return… though now I realize that this frantic Doo-shik we’ve been interacting hasn’t been wearing glasses. It’s such a tiny detail, but could we be dealing with a different Doo-shik now than the calm and collected man we saw in the beginning of this series? Man, this show really is making me entertain some outlandish theories based on possibly groundless details. Still, I did like how Doo-shik reached out to Ma-rin and her mother in the time So-joon is away. I cracked up a bit too much when he defensively called her a cradle robber, and I do wonder if he kept on trying to check in the future to see if So-joon is still there. Although would he even know when to travel to? I did like how some of the minute details were tied together this episode, from So-joon turning back to see his time-traveling self to Se-young finding out So-joon’s big secret and how So-joon’s disappearance was kept under wraps. Even though we knew that it was Ma-rin’s idea to lie to So-joon from the past, it still killed me to hear her make the suggestion and hear Ki-doong say the words again. A part of me wishes that she scheduled that email to herself earlier to try and stop herself, but I can understand her deep sense of hopelessness that would drive her to think that was the only solution. My heart filled with joy once she read So-joon’s letter, however, and how that gave her a new determination to wait for the man who’s lost in time. Her response was simply beautiful, and I can’t wait for them to be reunited so they can make some beautiful babies together. RELATED POSTS Tomorrow With You Episode 14 Tomorrow With You Episode 13 Tomorrow With You Episode 12 Tomorrow With You Episode 11 Tomorrow With You Episode 10 Tomorrow With You Episode 9 Tomorrow With You Episode 8 Tomorrow With You Episode 7 Tomorrow With You Episode 6 Tomorrow With You Episode 5 Tomorrow With You Episode 4 Tomorrow With You Episode 3 Tomorrow With You Episode 2 Tomorrow With You Episode 1 9851 Drama Fantasy Romance The drama tells the story of Yoo So-joon, who can travel through time by a subway. After seeing his future-self living miserably, Joon decides to marry Ma Rin in order to avoid that fate. As time passes, he learns to love her selflessly. Stars Shin Min-a Lee Jehoon Hyeon-jin Baek See production, box office & company info

Tomorrow with You showed up in my Netflix recommendations, and I was intrigued by the premise and by the promise of a more mature romance. The drama delivered on its promise of a more mature romance, though I was ultimately a bit disappointed in the time travel story line. For those who don't know the premise is as follows A young man survives a metro accident that claims the lives of both his parents. After the accident, he is mysteriously able to travel into the future by taking the same metro subway. He becomes aware of a woman whom he later discovers to have survived the same accident who dies on the same day as he dies. He becomes convinced that he should marry her in order to change their collective fates. Fate, however, seems to have different plans for them, and his efforts to "fix" the future never seem to bear fruit. What I liked I liked the main romance. This drama is unusual in that the couple gets together early; they're married by the end of episode 4. We watch them struggle with miscommunications and with misaligned expectations, especially because So Joon has many secrets from Ma Rin. Through it all, they continue to choose each other. For fans of real kisses and realistic skinship, this romance delivers on that front. The main couple acts like a real-life couple. They they kiss, they hold hands, walk arm in arm, hold each other, and sleep together. Ultimately, the relationship between the two is what kept me hooked, when I found the rest of the plot tiresome. What didn't work for me so well I didn't care as much for the actual time travel part of the storyline-and the bad guy. First off, the antagonist seems a bit over the top. His motivations aren't entirely clear; there's little nuance to him as a character. His whole reason for existence seems to be moving the the plot forward. Other things that I didn't like Ma-Rin of the future tells So Joon to break up with her; Ma-Rin of the present fights for him and claims that she'll never behave in that way. But sure enough, when So Joon inevitably goes missing, Ma-Rin does exactly what she says she won't do. It also seems that the time traveling does very little to remedy the situation. So Joon disappears, just as he has foreseen . Many things were left unexplained How is is that So Joon could time travel, but not Ma Rin? Why did Ma Rin's father abandon his family? He's able to time travel, too. Why? Is it related to his abandonment of his family? It would seem that way, but it's never explained. And then there's the ending. Of course, I'm happy that So Joon is able to return to Ma Rin and to prevent the death that he has foreseen countless times. But after failing on multiple occasions, he's somehow finally able to make the leap on foot? Was it his desperation? This kind of ending feels like lazy story telling. Other disconnected thoughts The set sometimes seemed a bit dark and low budget to me. The offices of the senior executives at Myreit seemed rather spartan, with no external windows. The overall vibe was dark-perhaps it was a filter? And, now I'm completely objectifying Lee Je Hoon, but why did we never really see his abs? He's shirtless a few times, but we see mostly his collarbones and the tops of his shoulders. How many coats does our couple own? They each have a winter coat to match every outfit. I know he's wealthy, but still. So, this drama was a bit of a mixed bag. I was intrigued by the central mystery much of the time, though it got a bit old near the end. And I found the wrap up a bit unsatisfying. The OTP was what really kept me hooked. 8/10.

DramaKorea Tomorrow With You di Tokopedia ∙ Promo Pengguna Baru ∙ Cicilan 0% ∙ Kurir Instan. recaps discussion news cast 130 March 26, 2017March 26, 2017 Tomorrow With You Episode 16 Final by gummimochi It’s time to take one last trip with this show, which has taken us for quite a ride on its narrative tracks. Never has capturing a moment in time been so important than in this finale, where one instant can mean doom and gloom or happiness and rainbows for our couple. Each of our characters knows that they’ve got one shot to focus on saving whomever they love most, but is it enough to change the course of fate once and for all? FINAL EPISODE RECAP February 2019. Ma-rin writes another email to So-joon, telling him of how everything he said would come true did the Duck Ramyun fervor, the most recent presidential election, and the Starcraft match between Lim Yo-hwan versus AlphaCraft, which she and Ki-doong spoiled for Se-young. All the futuristic items So-joon bought for her now feel like things of the past, and she worries their time together might someday feel like that, too. Like the other emails, she schedules this one to send in February 2022. That’s the date So-joon comes to in a hospital bed in his own home. He wonders where Ma-rin is and believes this must be a dream. It turns out the woman we saw out in the patio is his caretaker and his doctor tells Ki-doong and Se-young that So-joon was conscious for only a few moments. Se-young points out that this is the fourth time this month So-joon has shown some activity after being comatose for two years. The doctor agrees that So-joon’s case is an anomaly; So-joon was found on the tracks severely bleeding, yet he didn’t show any other signs that would keep him in a coma for this long. As Ki-doong and Se-young leave he adorably takes her purse and sticks in hand in her coat pocket, he reminds her that this So-joon from the past has stayed with them for too long. She admits there are times when she thinks that So-joon is better off being in a coma than waking up to a grim reality where it will soon be three years since Ma-rin’s death. What. He agrees that they can remain optimistic, and So-joon can choose to either return to his present or live here in 2022. So-joon’s monitors act up again later that night, but this time So-joon starts coughing. He wakes again in the morning to see Ki-doong by his bedside and asks, “What year is it?” Ki-doong stammers in shock at his friend looking back at him and replies, “2022.” One month later, March 2022. As So-joon rides the subway, he narrates that he’s lived in the future for one month now but he still can’t return to the time he disappeared from. Ki-doong told him that So-joon reappeared on November 30, 2019, exactly three years after Director Kim was apprehended. So-joon realized that he skipped past his “last day,” and figured he’d been in a coma since then because he occasionally heard voices. He gave Ki-doong a belated congratulations on his marriage to Se-young, and Ki-doong asked why So-joon didn’t once ask about Ma-rin. So-joon didn’t want to talk about it, guessing that Ma-rin had met her demise on March 25, 2019. He now lives in a future where Ma-rin no longer exists, and he isn’t able to go back to the year when Ma-rin was still alive. Back in the present, Ma-rin worries about her eyesight because things that are level appear off-balance to her and vice versa. But her attention is turned to So-ri, who’s been reading about someone online who goes by the handle “Kkot-soonie” and has accurately predicted a number of events. Ma-rin pulls up a livestream of a broadcast jockey dressed in regal robes who wishes to know who “Kkot-soonie” is. HA, it’s Secretary Hwang. Ma-rin recognizes him and writes off the story, but So-ri swears that all of the predictions have come true, including some unsolvable crimes. Why, Kkot-soonie even uploaded a photo of Duck Ramyun a year before it actually became popular. LOL. So-ri is convinced that Kkot-soonie must be a time traveler whereas the real Kkot-soonie sighs, wondering how the netizens managed to find all of those hidden comments she posted. But Kkot-soonie has recently gone quiet, making people wonder if she’s traveled to the future, and Ma-rin barks at her to get back to work. Secretary Hwang still works for Director Wang, who insists that he paid for his own night out last night. He’s sick of his nagging secretary making sure that he’s an upright businessman, but after having worked for a man who embezzled company funds, can you blame him? Ma-rin worries that her predictions might get her incriminated, remembering when she posted them in the first place. So-joon expressed the same worry that her warnings will backfire, and they bickered over whether or not they should intervene in other people’s lives. Ma-rin and So-joon fought over the laptop until she collapsed on top of him. He remarked that this was a risque position, and she sighed that it must’ve been hard for him to keep so many secrets about the future to himself over the years. She pressed an ear to his heart so it could vent, and when he asked what his heart said, she replied that it often felt lonely and forlorn, but felt better because she was there. He laughed while she kept listening, and he hugged her tight. Ma-rin meets Ki-doong and Se-young for celebratory drinks later that night, where they laugh at the comments about her. Ki-doong dampens the mood by saying that So-joon should’ve been here for this, and Ma-rin says So-joon would’ve berated her for posting so many predictions online. She chuckles that there isn’t anything to tell now anyway, and jokes that she can’t even come clean. She admits that her upcoming photo exhibition makes her think of So-joon because it would’ve been nice if he were here to see it. Her smile doesn’t fade until after she sends the married couple off, and buys more beer at a convenience store, where a couple bicker over who should pay. Ma-rin returns home and feeds the robot vacuum tissues while she continues to drink. Over in March 2022, So-joon takes the subway, praying that it will take him back to the present this time. But it doesn’t work. He shares his woes with Ki-doong, telling him that even if he could go back, he’d only have two days before Ma-rin’s death. Ki-doong has the hard task of advising his friend to move on and live out his life here in the future. What if So-joon manages to return to 2019 but isn’t able to save Ma-rin? But then he takes it back when So-joon asks what he’d do if it was Se-young. So-joon doesn’t know what to do, worried that Ma-rin must’ve felt so alone. Ki-doong remembers that Ma-rin did think of him in her final days, but this is something out of So-joon’s hands. “So I should live here alone?” So-joon asks. “My home is there. I’m supposed to be where Ma-rin is! Even if I could see her for one hour, no, even ten minutes… I’d really want to go back.” As So-joon returns to his robot vacuum in his dark, empty house, Ma-rin decides to schedules her next email to So-joon for three years from now. So-joon reads it in his office, as Ma-rin writes that she’s a bit tipsy right now and wonders if he’s been cheating in the future. She reminds him that they were supposed to watch the fireworks together on March 25, 2019, two days from now. He cracks a smile when she asks if he’s having the time of his life in the future with the hovercars and orders him to come back soon. He looks at the desk where Ma-rin has left him a message “I miss you.” He then reads all the emails Ma-rin sent him over the years and sobs. So-joon visits the tree dedicated to Ma-rin, noting that while not much the future hasn’t changed much, he finds it unfamiliar territory without Ma-rin by his side. Not too far away lies Doo-shik’s marker, listed under his real name, Song Doo-il, and died on March 25, 2019. Ma-rin arrives on the opening day of her photo exhibition and worries that no one has arrived. Her first guest is the photographer who once wrote her off, and as it turns out, the person who helped her get an award. She still remembers the day So-joon brought Ma-rin to her studio, and admits that she genuinely wanted to take Ma-rin under her wing. She can see that Ma-rin’s talents blossomed without her. It isn’t long before the gallery is full of guests, including Ki-doong and Se-young, who gift her with a bouquet. Even Gun-sook congratulates her, and Secretary Hwang hangs back in a corner. In 2022, So-joon arrives at the Seoul Station stop only to find that it’s currently under construction. He sneaks in anyway, but is stopped by a construction worker. He makes up a weak excuse and tries to bribe the man, but that backfires and soon a whole group tries to usher him out. So-joon blows past them and makes a run for it down the tunnel, determined to make it back to Ma-rin. And this time, he succeeds in hurtling back to 2019. Ma-rin isn’t waiting outside the platform at Namyeong Station, but he need only run outside to see her standing by the subway crash memorial. He hollers, “Song Ma-rin!” and runs into her arms. She breaks away, thinking that he’s from the past, and walks away. But So-joon follows her, saying that even if he were to travel to the past, he wouldn’t break up with her. He doesn’t regret meeting her, but he remembers how troubled he was when she lied to him about why they should’ve broken up. Ma-rin stops in her steps as So-joon calls out, “You told my past self to break up with you, and my future self to return! That’s really like you, Song Ma-rin.” She turns and asks who he is. Tears fill her eyes when he asks how she could send him a hundred emails. So-joon cries, “I won’t go out with Future Ma-rin. I got the email you sent yesterday three years into the future. You told me to hurry back!” Ma-rin grabs him in an embrace and wails in his arms. He apologizes for taking so long, and she shrieks, “Do you know how long I’ve been waiting for you?” They return home together, and Ma-rin swoops in to kiss him. He returns the kiss, and they smile at one another between kisses as they make their way toward the bedroom. Ki-doong is working late at the office when he gets a photo of So-joon making a silly face, informing his friend of his return. He runs over to Se-young’s office to tell her the good news. She’s utterly relieved, and Ki-doong says their friend has one more surprise for them the winning lottery numbers in March 2022. Gun-sook meets with Secretary Hwang, explaining that she came up from Jeju to be here for Ma-rin’s photo exhibition. Secretary Hwang admits he still suffers from nightmares, but he’s gained some internet fame as a broadcast jockey. She’s well aware of his livestream, but she wants to know more about the mysterious Kkot-soonie. He doesn’t know that much either and provides Gun-sook with some encouraging words and agrees to lend an ear whenever she likes. After business time, Ma-rin is caught up on how So-joon was doing in 2022. He assures her that she was a great caretaker and believes that their future will be brighter now that he’s come back to her. He asks her how she’s been doing, happy to hear that she won an award for her work. She says things haven’t been too hard for her, then amends that statement “It was sort of hard, but I suddenly can’t seem to remember any of it because I’m so happy.” He asks to see the exhibition, stopping at the set of candid photos of himself. He teasingly asks how she handled missing him so much, and she answers, “You came to me whenever I was about to forget you.” She explains that he would come find her from the past, whether that was a video message or dumplings or a chance encounter. “And whenever I missed you so much, I even went around looking for you.” She saw his past selves wait outside their house or head to Ki-doong’s place or by Seoul Station. She remembers their strained conversation on the street nearby Ki-doong’s old place, and confesses that she was out looking for him that day. March 25, 2019. Ma-rin’s parents are on their way to see their daughter’s photo exhibition. Mom reminds her husband of how he left them, and when she puts her arm through his, he wriggles it out to grab her by the shoulder. Cute. Both of them are taken aback to see So-joon there, and Mom greets her son-in-law with a hug. While Ma-rin drags Mom away, her father calls So-joon out to berate him on being foolish enough to return to this day. But So-joon tells him to give it a rest since time is of the essence, because today is also Ma-rin’s father’s last day. Ma-rin had told him how her father was a fellow survivor of the 2009 subway crash, which means they all share the same fate. Ma-rin’s father corrects him, saying that he lives for three more days. But So-joon says no one else knows what will happen today, and ever since he learned of his ability to time travel, there wasn’t a single day when he didn’t worry about the future. Oddly enough, he feels at peace today of all days, as if what he has now is enough. He won’t give up hope since he has to take Ma-rin to the fireworks show tonight and there’s so much he wants to do with her. He’s told that the moment he chooses to give up will be the end, and says that he isn’t giving up—he plans on spending a happy day together with Ma-rin today. Ma-rin’s father plans on being a better parent to his daughter once they get past this hurdle today, and asks if So-joon remembers the story about his daughter who lived happily with her husband. So-joon remembers that story as the one used to coerce him into a relationship with Ma-rin. It’s only now that Ma-rin’s father admits that story was wishful thinking, but he honestly thought that they looked good together and would be happy together, whether that would be for one year or a decade. “But I don’t know if I did the right thing,” he gulps. So-joon thanks him for bringing them together, promising to call him “Father” if they should see each other tomorrow “I wish you the best of luck… Father.” Ma-rin comes outside to collect So-joon and hopes that everyone can go out to dinner soon. So-joon tells her in a low voice to speak to her father some more, but Ma-rin says they have to go. She takes him to City Hall, reminding him how they were supposed to register their marriage the day he disappeared. She grumbles to find the form right next to the divorce form, but brightens when they fill out the document. Ma-rin then takes out her camera to record this historic moment, and after telling So-joon to smile, she asks how he feels about making their marriage official. “I’m happy,” he says solemnly before adding, “I love you.” She’s still smiling when they go out for coffee afterward, giggling how they’re officially a family. So-joon points out a poem written on the table, entitled “Visitor” by Jung Hyun-jong In truth, one’s visit is a tremendous thing for he comes with his past, present, and future for it is because he comes with his whole life Ma-rin says that sounds like them and thinks they can leave a message behind like this one. Another patron chimes in to inform her that’s a famous poem, and So-joon lets out a stifled laugh. They laugh about it outside because they both had no idea it was a poem by a famed poet. He asks what they should do next, and she says they should go see the fireworks. He agrees to take the bus there, and she runs ahead of him to find the bus stop. Waitaminute, you’re not gonna go after her?! Ma-rin reaches the street corner, where a man bumps into her, causing their marriage certificate to fly out of her hands. She runs into the street to pick it up and hold it up victoriously, and So-joon runs into the street after her and holds her close. Shit, you can’t move five feet?! But then the oncoming car swerves to avoid them it’s Ma-rin’s father, who stops right in right of oncoming traffic. So-joon and Ma-rin lift their heads to see him smile at them… just before the cars crash into him. “I don’t want to talk about this anymore,” we hear So-joon narrate. “Just like the guilt I suffered when I lost my parents in the Namyeong Station crash… Ma-rin and I will face many painful days to come because of this day. But still we’ll forget… how precious this day was.” March 2022. Ma-rin and So-joon argue before breakfast, him complaining that Ma-rin hasn’t bothered to learn how to cook, her stating that he’s been spending an awful lot on commuter costs—he’s still time traveling, isn’t he? She complains that his constant trips are why they haven’t been able to get pregnant yet because he puts his manhood through so much on the subway. She reminds him that they even wrote up a contract and she feels disappointed whenever he breaks his promises to her. So-joon argues that she only allows him to travel to the future to buy her pretty things, and gets worked up when she says he hardly works. She tells him to stop yelling, and he can tell that she’s upset again. Ma-rin says he’s changed so much, but doesn’t allow him to slip away to leave things the way they are. But he says he has to provide, so she barks at him to leave and pushes him out of the way. In the car, So-joon wonders what he did to deserve being yelled at all the time, then his phone alerts him to another one of Ma-rin’s scheduled emails addressed to him. He pulls over to check it. As he smiles, we hear him say that he still receives Ma-rin’s emails from the past from time to time… back when every second meant so much. He calls to apologize to Ma-rin and ask his Kkot-soonie out on a date. She asks, “When?” “Today,” So-joon replies. COMMENTS Heartbreakingly beautiful. My heart was caught in my throat for the majority of this finale because while I yearned for a happy ending for a couple, I honestly thought they might not live to see it. Things did look dire when So-joon was trapped in the future, unable to do anything but wait as the present kept going. I could feel So-joon’s deep sense of loneliness, having to live in a broken future that didn’t include Ma-rin. I’m not quite sure how So-joon knew that he’d make it back in time before he read all of Ma-rin’s scheduled emails, but then again, the writing has only passively suggested the rules of time travel—perhaps the same amount of time seem to pass regardless of when So-joon is. It certainly seemed like Fate was on their side when So-joon wanted to return to Ma-rin most, and just in time to spend a short time together before D-Day. Given my deep love for this couple and my deeper desire to see them reunited, however, I didn’t mind the idea of So-joon’s love and yearning winning out to bring them back together. Even though I knew something big would’ve had to happen if our couple had any shot of being together for the long haul, I honestly thought that So-joon was prepared to die with her. His words about peace and appreciating the time he and Ma-rin had left together sounded like a dying man about to breathe his last breath. But if I’m to step back and look upon their relationship as a whole, I’m far more impressed by Ma-rin, whose life was changed forever because our hero thought it should. She opened her heart to a man who originally had no plans of getting involved in her life, and waited for her time traveling husband to come back to her. Even in her most hopeless of moments about their future together, she was still fighting for him, desperately hoping that he’d be able to come back. Her concern was rooted in their present whereas So-joon clung to the future. I thought it sweet of her to try and catch glimpses of So-joon whenever she could despite knowing that those time traveling So-joons wasn’t the one who disappeared. Then there’s Ki-doong, who I absolutely love to pieces. Not only was he So-joon’s confidante, he also became Ma-rin’s partner in crime. His friendships with them made me laugh and cry, and I can’t ever forget him for asking the hard-hitting questions about time travel and about life. His scenes tore at my heartstrings, and he was always present with So-joon no matter what year his buddy came from. I admit to being upset with him being so hung up on Se-young in the beginning, but her character became much easier to watch and more relevant once she got together with Ki-doong. A part of me is sad that it took Doo-shik’s sacrifice for our couple to have a bright future, since that means that Mom is once again alone. He couldn’t have possibly known that they would be at that street corner at that time and be hit by the other car in the opposite direction… or did he? I suppose we’ll never know, like how we’ll never know how or when Doo-shik’s time traveling ability began. While I won’t write up Tomorrow With You as one of my favorite attempts at time travel alone, I can say I greatly enjoyed the romance between our main couple. Shin Mina and Lee Je-hoon shared an electrifying chemistry onscreen that even made the most mundane moments of married life feel real and normal. You could tell how much fun the actors had with these characters, and I swear I caught a moment or two of either Shin Mina or Lee Je-hoon about to crack a smile. We needed to feel So-joon and Ma-rin’s magnetic need to be with one another as well as a reason to root for them to be together. Both Shin and Lee knocked it out of the park in that regard, and I feel like I need to watch a ton of behind-the-scenes clips to get my fill. Tomorrow With You may not have been a perfect ride, but I can say with confidence that I loved how beautiful the melancholic and contemplative beats of the story were played out in the show’s direction. In many ways, I felt like our resident time traveler trying my best to remain present while my mind was worrying about the future. But then I’m reminded that time only moves in one direction for us, so the best thing we can do is to appreciate every moment and hope that our actions now will help create an even better future. RELATED POSTS Tomorrow With You Episode 15 Tomorrow With You Episode 14 Tomorrow With You Episode 13 Tomorrow With You Episode 12 Tomorrow With You Episode 11 Tomorrow With You Episode 10 Tomorrow With You Episode 9 Tomorrow With You Episode 8 Tomorrow With You Episode 7 Tomorrow With You Episode 6 Tomorrow With You Episode 5 Tomorrow With You Episode 4 Tomorrow With You Episode 3 Tomorrow With You Episode 2 Tomorrow With You Episode 1 Tags Episode 16, featured, Lee Je-hoon, Shin Mina, Tomorrow With You Premium Supporter Currently Airing

StreamTomorrow With You This heartwarming kdrama series was written by Heo Sung Hye and directed by Yoo Je Won, whose past directing work include iconic hits such as "King of High School" (2014) and "Oh My Ghostess" (2015). It began airing on tvN on February 3, 2017 and ran until March 25 with a total of 16 episodes.

recaps discussion news cast 140 February 4, 2017February 17, 2017 Tomorrow With You Episode 1 by gummimochi Who knew that traveling through time could be as convenient as hopping on a subway? tvN’s newest time travel drama Tomorrow With You introduces us to a fantasy world and a hero who knows what the future holds for him and one mysterious woman he’s somehow linked to. Getting to know a girl won’t be easy when only one of them is aware of what lies ahead, but neither of them will be prepared when one fateful decision opens up a new chapter in their lives. EPISODE 1 RECAP In the near future, December 2018, an intense Starcraft match is underway between renowned gamer Lim Yo-hwan versus an AI named AlphaCraft. Tensions run high in the arena, but Lim pulls out of the match, victorious. A man revels from his living room, and the subjective point of view allows us to see his surroundings through his eyes. He muses that another year is coming to a close, and he buys a birthday gift before heading down to the subway. Once the camera angle shifts, we can see his face—this is YOO SO-JOON Lee Je-hoon, who remains calm as the lights above flicker and his fellow passengers disappear… and the subway car hurtles back to the present June 2016. As So-joon removes his winter coat, he explains in voiceover “I’m a time-traveler. I take the subway and travel to and from the future.” He knows that there are people out there who’d like to know what their futures may hold, but he won’t take any of their questions. This is because he takes no interest in other people’s lives, he narrates, as he walks past a street memorial adorned with photos and flowers. Elsewhere at an outdoor wedding photo shoot, the entire bridal party laughs awkwardly when the photographer can tell that the bridesmaids aren’t close with the bride. She brusquely instructs the bridesmaid to the far right Shin Mina to fall in line with the others, and tells the happy groom that this must be his first marriage. That doesn’t sit well with the bride LEE GUN-SOOK Kim Ye-won, who reminds her bridesmaids through gritted teeth that they can forget the customary monetary gifts for the upcoming ceremony if they smile for the photos, and that does the trick. So-joon swings by a cafe to see his friends KANG KI-DOONG and the birthday girl, SHIN SE-YOUNG. Ki-doong seems to know about his friend’s time-traveling ability whereas Se-young doesn’t, and So-joon uses vague terms to describe just how fashion forward her present is. He has to run to attend to “a matter of life-and-death,” and his phone reminder provides the details SONG MA-RIN, car accident. 414 PM. During a break, the bridesmaids complain about being part of a wedding for a girl they’ve hated for fifteen years now. Still, they’re more impressed by their friend Ma-rin for showing up at all today. Now we finally put a face to the name, as Ma-rin seeks out the photographer, hoping that she’d look at her portfolio. But the photographer recognizes Ma-rin as a former child actress, and the latter’s attempt to laugh off that comment is foiled by Gun-sook’s arrival. When the photographer leaves, Ma-rin takes off after her, explaining that she and the bride aren’t that close. In truth, she’d hoped to meet the photographer today, having studied photography for seven years herself. Thankfully her persistence pays off, and the photographer grudgingly accepts her portfolio. So-joon arrives at the park as the wedding photo session resumes, and passersby also recognize Ma-rin from her child actress days. Looking toward her, he narrates, “I’m going to change her fate today… because my life might be held in that woman’s hands.” D-20 minutes. He passes the bridal party on the street, knowing that Ma-rin will decline a meal with the others and opt to grab a cup ramyun at a convenience store instead. She does exactly that, but then puts it back and exits, having noticed the strange guy following her around today. D-5 minutes. So-joon runs up to get her attention by grabbing her arm and calling her by name, much to her alarm. Ma-rin flatly refuses his offer for coffee, and when he touches her arm again, she defensively wraps her arms around herself. She says she doesn’t know him and walks away, but then we see a glimpse into Ma-rin’s immediate future if she steps into the crosswalk within the next minute a truck slamming into her. Thus in a last-ditch effort, So-joon blurts out “I-saw-you-in-the-street-and-I thought-you-were-so-beautiful-that-I wanted-to-have-coffee-with-you!” Smooth. Still, those words successfully get Ma-rin to stop and ask how he knows her name. She stops him upon hearing that he knows her as the former child actress, and admits she feels uncomfortable. She refrains from speaking further, but So-joon encourages her to keep talking, hoping to stall her for at least another two minutes. He can tell from her smile that she must be tired of constantly being hit on by strangers, and tries asking her out one more time. But Ma-rin declines and marches toward the crosswalk… …And So-joon pulls her back from the oncoming truck just in time. Rather than thanking him for saving her life, Ma-rin plucks his arm off of hers and reminds him that he shouldn’t do that. She walks off, but then turns back to remark that he’s rather clumsy with his approach with women. With that, she skips off into the street. Just as So-joon’s phone reminder beeps, he hears honking and a thud. Oh no. He walks into the street, where Ma-rin is lying unconscious. The flustered driver swears he didn’t hit her; she fainted. So-joon knows she did and comments, “How can you pass out on your own?” In the hospital, So-joon reads up on Ma-rin, who won viewers’ hearts at the age of six in 1991, when she played a girl who loved rice hence her nickname “Bap-soon-ie” in a 50-episode drama about a group of independence fighters. As an adult, she’s infamous for her drunkenness, which is often captured on social media. Often times, she’ll sleep practically anywhere outside, and other netizens have seen her talking to a phantom in a pojangmacha. So-joon is both amazed and amused by her life choices, but bristles upon recalling her earlier comment about his lousy game with women. Ma-rin comes to just then, wondering if she must’ve been in an accident. So-joon reassures her that she’ll be fine, adding that it wouldn’t hurt to get her liver screened. Heh. When she tries to get up, he settles her back down onto the bed, saying softly that she might still be dizzy. Ma-rin grows shy, which has So-joon toss her own words back at her about being clumsy. He says that if it’s fate they’ll meet again, and leaves. A little later, Ma-rin’s mother anxiously rushes into the hospital, asking around for her celebrity daughter. Ma-rin ushers her mother outside, embarrassed that she’d still try to use her former fame with strangers. But what Ma-rin hates most is her mother spinning lies to her latest boyfriend, knowing full well that Mom will date someone else next month. Climbing into a taxi, Ma-rin leaves her mother behind and checks to make sure she’s far away enough before getting out. As she rides the bus, we hear So-joon narrate that today was the first time he met Ma-rin in real life and the first time he’s saved someone’s life ever since his time-traveling trips began. He wonders, “Why would that strange, absurd woman and I end up dying on the same day and time?” We catch up with Ma-rin, who takes pictures for an online shopping mall model, who wonders if they’ll ever find success. Her frenemy Gun-sook calls to enlist her help, slyly offering to put in a good word for her with the photographer via her new husband. Ma-rin declines, knowing that she’ll be forever indebted to Gun-sook; she vows to become a successful photographer on her own. Cut to Ma-rin accompanying Gun-sook to shop for home furnishings. Gun-sook brags about her future husband, an executive director in a real estate investment company named MyReits. He’s the reason why the photographer made a fortune, so she took their wedding pictures to stay in his good graces. While Ma-rin simply wants to know if the photographer has taken a look at her work, Gun-sook says she’s better off getting married and offers to set her up with her husband’s secretary/errand boy. Having heard enough, Ma-rin chokes Gun-sook before dragging her by the arm, barking at her to buy all the expensive things she loves to flaunt. Speaking of whom, Gun-sook’s husband-to-be director KIM YONG-JIN arrives at the office with his secretary, and tells Ki-doong to take the next elevator. But everyone immediately shows deference when So-joon shows up, since he’s the CEO. He asks if the secretary will be joining them before laughing it off moments later, and the four men head up together awkwardly. So-joon breaks the ice, asking whether Director Kim’s upcoming wedding is his second or third. He’s told that this is the director’s first marriage, and when he hears there’s a ten-year age gap between the director and his bride, he gives the director a thumbs-up. Director Kim puts on a presentation about investing in a city that he believes will be booming in about 25 years. He’s confident that there’s positive change happening there, so they should invest now. The other execs aren’t so sure, so Director Kim says he’s heard whispers that a rival company is eyeing that land. But So-joon, who’s been busy playing games on his phone, chimes in that the area won’t turn a profit. Wait, have you seen it yourself? Getting up, he points to a mountainous area west of the city, arguing that this area will be cheap to buy now. When asked why he’s chosen that land, So-joon casually replies that he’s working off a feeling. He then amends his statement by stating that his intel suggests that this presently unpopular land will be extremely profitable. Oh, and everyone should keep this among themselves. But Director Kim would like to know where So-joon’s information came from, to which So-joon says he can talk if Director Kim will disclose his own sources. Ooh. Keeping his tone light, So-joon points out that his opinions have always worked out for this company, whereas Director Kim spends his time entertaining bigwigs. He bats away the argument that this presentation was based on data and research until he finally raises his voice in frustration “It doesn’t feel right!” He calls an end to this meeting right then and there, which leaves Director Kim fuming. Afterward, his secretary wonders why their boss would even bother holding a meeting if he’ll end up ignoring any ideas anyway. It makes him wonder if So-joon is harboring a birth secret or influential connections, but Director Kim is too enraged to hear any ideas. In their office, Ki-doong nags So-joon about being a little smoother around their employees when it comes to his future real estate predictions. So-joon thinks he couldn’t have gone easy on Director Kim’s suggestions, since he couldn’t very well say that he saw the plans fail in the future. He whines at Ki-doong to get his attention, then rattles off a series of lottery numbers… that Ki-doong quickly jots down. Ha. Ki-doong barks that he doesn’t believe So-joon anyway, since his time-traveling buddy swore not to tell him anything about his own future. It then occurs to him that the numbers were a lie, and So-joon laughs, reminding him that the reason why he stays out of people’s lives is because the smallest adjustment in the present could lead to drastic consequences in the future. “But recently… I got involved in someone’s life,” So-joon divulges. He says he heroically saved a person, which would normally get a grateful response. Ki-doong wonders if it was an acquaintance, or better yet, a woman. So-joon nods, and when his buddy asks if she’s pretty, he admits, “A tad.” Ma-rin is busy cleaning her messy abode and admonishing herself for drinking too much, only to tell herself that she’ll keep drinking. She opens a dusty album containing a series of black and white photos when she gets a call from the photographer’s studio informing her that she’s been accepted. Unfortunately, Ma-rin finds out that she’s scored a spot in the academy, not on the photographer’s crew. She gets a chance to confront the photographer herself, who believes Ma-rin is someone who failed as an actress and thinks she can just move from in front of the camera to behind it. Stepping in front of her, Ma-rin speaks up “You must think that what you see is all there is.” She says she was a fan of the photographer’s work because those photos went deeper than face value, and she took up photography to prove that what people see on the surface isn’t everything. When the photographer calls her Bap-soon, Ma-rin boldly states, “My name is Song Ma-rin.” But the photographer scoffs at those idealistic statements, reminding her that she had her friend pull strings for her here. On the subway ride home, Ma-rin thinks to herself how she was reborn here seven years ago. She’d gotten off at another station after getting into an argument with a stranger for taking a photo of her. As it happened, that decision had saved her life because the subway car exploded shortly afterward. “I sometimes wonder if there must be a reason why I was saved [from that],” she thinks to herself. “Could there be something more special in the future waiting for me? I wish that were true.” Unbeknownst to her, So-joon appears behind her in the same car on the way back from another time-traveling journey. He first turns away in surprise, then walks up her to say hello. He places a hand on her shoulder while remarking on this coincidence, and although she shrugs him off, he follows her off the train and asks her to dinner. Pointing out that he keeps touching her, Ma-rin politely tells him to stop since he’s a stranger. He notes that she’s kept count and she replies that she’s old-fashioned like that. He teases that her word choice of “touching her” seems rather risqué when he would call it “holding onto her.” She stops to ask if he’s from overseas, because he’s touched a woman he barely knows and doesn’t know when to stop. She walks away to pay her brief respects to the street memorial we saw earlier. So-joon says he didn’t know people still stopped by this place, but when she starts walking away from him again, he invites her out for a drink. Next thing we know, Ma-rin is already on her second beer and enjoys the experience of drinking with a stranger. Worried that she’s drinking too quickly, he asks for food, but she refuses. After learning that she’s a photographer, So-joon asks her for her age, which prompts her to narrow in on why he wants to know. She declares that this will be their final beer, and they drink. Cut to Drunk Ma-rin saying that she doesn’t look 31 years old, though So-joon says she does. He tells her that he’s 30, so she drops the formalities and asks in banmal if he’s employed. She interprets his initial pause to mean that he’s jobless, and So-joon explains that he’s the CEO of a real estate investment firm. But she mishears him, thinking that he runs a neighborhood real estate agency. Calling him “Realtor,” she asks why he was so quick to obsess over her the first time they met. Offended, So-joon barks that that couldn’t have been the first time a stranger hit on her, and Ma-rin drunkenly winks back with a smile “Noona understands.” She later staggers to the bathroom, where he helps her keep the door closed and tells her to fix her clothes when she bursts out of the stall. They keep drinking at another pojangmacha where So-joon agrees to not ever like her. Ma-rin asks what he finds so pretty about her—while people think it’s her eyes, she believes it’s her legs and shows them off. He calls her bluff to show him then, and she clams up, saying that she doesn’t sleep with guys so easily. She doesn’t play the dating game, and she isn’t as innocent as she looks, so he’d better not like her, she warns. “You’ll only get hurt! I’ll rip your heart into shreds.” So-joon sighs that he can’t tell who’s clinging onto whom anymore, but Ma-rin keeps drunkenly arguing her point—his friends will mock him for dating Bap-soon-ie, the former child actress who’s now a has-been. If they date, he’ll grow sick of complete strangers chewing her out like bar snacks “Who knows? You could be one of them.” He thinks she’s overreacting over some childhood fame, and while he doesn’t know what being a child actor was like, he does know that people are too busy leading their own lives to care about what goes on in other people’s lives. He says she must have a lot of time on her hands to let those comments sink in, and when she gets up to hit him, he takes her wrist and says, “Life is too short to be hung up on the past.” She hits him anyway, asking if he expected her heart to skip a beat at those words. He sits in the taxi with her, as she drunkenly murmurs that the sun will rise tomorrow. As the subway whizzes by them, So-joon recalls the one trip to the future when he found out about his own death. It was in the future on March 25, 2019, when a major accident took place, and he saw himself and Ma-rin covered in blood and taken away by gurneys. Before reality could sink in, a man grabbed him, saying that So-joon must return to the present immediately. Oho, another time-traveler? He was told that he could disappear if he didn’t return before his future self dies on this day at 915 PM. When they safely returned, So-joon divulged that he previously couldn’t travel to that date, but he knows now that was because he’d die that day. He told his fellow time-traveler that he planned on living another fifty years, so the man suggested that he look for the woman who would die alongside him in the future. So-joon was surprised to hear that he and that woman would die together in the same hospital. He argues that he didn’t even get a good look at her face, but the time-traveler encouraged him to look for her anyway “She’s currently the only person involved in your death, and who knows? She could hold a key in saving your life. You have less than three years left.” In the morning, Ma-rin yells at her disheveled shelf in the mirror, hoping that she didn’t embarrass herself too much. “You didn’t say your legs were pretty did you?” she wonders, then remembers saying it seconds later. She picks up her phone and chucks it away before reaching for it and covering the screen. She braces herself and slowly draws her hand back to reveal a drunken selca. Uh, lots of selcas. Humiliated, she buries her face in her bed, refusing to accept anything that happened last night… and then runs over to hurl. She’s still pretty hungover when she leaves her house, but declares that she’ll start anew again today because she won’t see “Realtor.” But then the nausea kicks in, and she curls up on the street. So-joon is a stone’s throw away in his car with his fellow time-traveler DOO-SHIK Jo Han-chul. He can’t believe that a woman like her could hold the answers to his survival, and Doo-shik says they’ll need to wait and see. Doo-shik remarks that she’s pretty, to which So-joon says he cares more about what a person is like on the inside. He’s told not to worry since it’s not like they’ll live under the same roof or something, so So-joon decides to get to know her, but set clear boundaries. He sneaks out of the car and approaches Ma-rin, who tries shuffling away and awkwardly commenting on the nice weather. He acts as if their paths just happened to cross, but they both know better, and before Ma-rin can apologize for last night, So-joon does so first. He claims to have blacked out last night, so he’d like to apologize if he did anything wrong by her. He says he can’t remember anything, and when he contemplates whether or not to try to remember, Ma-rin tells him not to. She does, however, point out that he’s speaking in banmal, and he finds it so natural that it makes him think they got much closer last night. He hopes that they “happen” see each other again, and he doubles back to give her an umbrella saying that she’ll need it. She says she checked the weather before leaving today, and So-joon muses aloud “Because it could just happen to rain.” Aww, that’s better. He waits until she’s gone to return to his car to ask Doo-shik for a favor, only to find him gone. Ma-rin heads out to her shoot, where the model thanks her for saving her from losing her job. A sudden shower drives them to seek cover, and Ma-rin marvels at the rain. Back home, So-joon is about to leave just as a drenched Ki-doong arrives. He reminds his friend that he said it’d rain today, and shuts down the idea of creating an app since it’ll put the meteorologists out of business. Ki-doong remarks that So-joon’s trips to the “other world” have become more frequent as of late, and the friends make plans for later that day. So-joon then travels three months into the future to walk back into his own home… …which is now lined with wedding photos of him and Ma-rin. He gapes at the portraits, and is spooked when Ma-rin appears in a robe behind him. She teases that he’s home early, saying that he’s being too obvious about being a newlywed. Flabbergasted, he stammers, “Newly… newlywed? We’re… newlyweds?” Back in the present, Ma-rin opens the umbrella So-joon gave her to take a happy walk in the rain. COMMENTS Wow, what a whirlwind of a premiere; my mind is still trying to catch up. I’d been looking forward to Tomorrow With You since time travel is a theme I typically enjoy. It’s that dimensions-crossing quality and the fear of possible doom by one wrong move that keeps me intrigued, and at present hur, this drama stirs my curiosity. Narratively, time travel is always a tricky concept since the writer not only needs to know the desired ending, but also consider the alternative threads that are dependent on the characters’ decisions. I love that we were thrown into one of our hero’s trips to the near future through his eyes, which enabled us to establish the premise right away. As cool as that was, I have a lot of questions about the logistics and rules in this ability, starting with Does no one either in the future or present see a man appear and disappear from their respective subway cars? I’m guessing not, since no one seems to react to our resident time-traveler So-joon, but perhaps that gives credence to his statement that people are usually too busy with their own lives to care about other people. We don’t know when So-joon’s time-traveling ability began, but I do find it strange that for someone who is staunchly against sharing information about the future, he does drop small hints that could have a ripple effect, like the birthday gift or telling people about the weather. It makes me question where exactly he draws the line—does he make decisions in the present that will directly affect his own future and hopefully not for others? Basically what I want to know is if the rules here are more like Back to the Future with the potential for alternative realities or if So-joon is in a causal loop where no matter what changes he’s made, he’s still headed toward the same future. What we can gather from So-joon so far is that he started time-traveling at an unknown date, told his buddy Ki-doong about his trips, found out about his own death, started searching for Ma-rin and saw her own accident in perhaps a different trip, and finally found her in our current present. I do wonder if the times he travels to are intentional, or if he hangs around and then comes back. I also question how much time passes in the present while he’s in the future, and if he ever returns to the same day. And I so desperately want to know how Doo-shik comes into play. I can already see myself falling into a rabbit hole of questions, which on one hand is a good thing because it means I want to know more, and on the other hand, I still want to wait for this dramaverse to establish its own boundaries of time travel. So far, I do like Ma-rin, who has passion and speaks up for herself. Even when she and So-joon first met, she set boundaries with the potentially creepy stalker dude following her around all afternoon. Although there was some attraction, Ma-rin reminded him that he was still a stranger until that legendary night of meeting the drunk Bap-soon-ie. It can’t be easy trying to make a name as an adult when everyone, including her own mother, uses a quarter-century-old reference to put her in a box, and we don’t know how arduous the struggle has been. And as much as people know her only for her child actor days, Ma-rin also generalizes the population for thinking that’s all she is. So even though So-joon has no idea what it’s been like to carry an emotional burden like this one for the majority of his life like Ma-rin has, he has a point when he says that life is too short to be hung up on the past… Though maybe living in the present is better than worrying about the future. RELATED POSTS A mysterious future leads to wedding bells in Tomorrow With You Lee Je-hoon’s death prophecy and Shin Mina’s morning after in Tomorrow With You Love-smitten eyes and sweet handholding in Tomorrow With You posters Glimpses of a happy future with a stranger in Tomorrow With You New Year’s resolutions to spend Tomorrow With You Funny first winks in Tomorrow With You teasers Smiling along with Tomorrow With You Oh Snap! The time-traveler and his wife Shin Mina, Lee Je-hoon practice their bickering skills for Tomorrow With You Tags featured, first episodes, Lee Je-hoon, Shin Mina, Tomorrow With You Premium Supporter Currently Airing

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ending drama tomorrow with you